Internet
Annals of Appearances
The Kate Middleton Photo That Was Too Good to Be True
A doctored image of the Princess of Wales and her children has become the most captivating episode of her entire public career.
By Jessica Winter
Cultural Comment
The Kate Middleton Conspiracy-Theory Swirl
The Princess of Wales is at home recovering from surgery. But that’s not what the Internet thinks.
By Anna Russell
Fault Lines
Arguing Ourselves to Death
To a degree that we have yet to fully grasp, what rules our age is the ideology of the Internet.
By Jay Caspian Kang
The New Yorker Interview
Jeanette Winterson Has No Idea What Happens Next
The author and former enfant terrible on life after death, breaking the rules, and forging a self through fiction.
By Katy Waldman
The New Yorker Documentary
The “Alpha Kings” Practicing Financial Domination Online
Enrique Pedráza-Botero and Faye Tsakas’s short documentary follows a group of friends in suburban Texas who make their living in the world of “findom” on OnlyFans.
Infinite Scroll
Why the Internet Isn’t Fun Anymore
The social-media Web as we knew it, a place where we consumed the posts of our fellow-humans and posted in return, appears to be over.
By Kyle Chayka
Cultural Comment
The “-ification” of Everything
Novelty coinages are good at grabbing attention in the digital economy. What do they really have to say?
By Lauren Michele Jackson
Rabbit Holes
Li Ziqi’s Online Pastoral Poetics
Millions of people subscribed to her vision of an idyllic rural existence. Who was she, and why did she disappear?
By Oscar Schwartz
Persons of Interest
World Wide Gecs
Laura Les and Dylan Brady, the duo behind the hyperpop band 100 gecs, are children of the Internet, which has offered them a seemingly divisionless array of musical influences.
By Naomi Fry
The Weekend Essay
The Age of Chat
The new A.I. systems pretend to converse with us. But who’s written the script?
By Anna Wiener
Culture Desk
David Choe’s Fans Want to Follow Him to a World Beyond Conformity
He cultivated an online community dedicated to surrendering control. He’s the artist; they’re his art.
By Anya Kamenetz
Our Columnists
What Bluesky Tells Us About the Future of Social Media
The new platform aims to be a decentralized alternative to Twitter. The vibe there is mostly like that of a Portland coffee shop.
By Jay Caspian Kang
Cultural Comment
Desperate to Be Micro-Famous
The satirical film “Sick of Myself” shows the warping effects of social media by way of a character who gives herself a hideous rash.
By Carrie Battan
Infinite Scroll
BuzzFeed, Blue Check Marks, and the End of an Internet Era
Just a decade ago, Twitter and BuzzFeed were the popular poles of online life. Now their struggles are emblematic of where social media went wrong.
By Kyle Chayka
Infinite Scroll
The Privacy-Minded Social Network at the Center of the Classified-Document Leak
A young National Guardsman posted hundreds of secret government files to a private Discord group. Then they sat there for months unnoticed.
By Kyle Chayka
Annals of Artificial Intelligence
What Kind of Mind Does ChatGPT Have?
Large language models seem startlingly intelligent. But what’s really happening under the hood?
By Cal Newport
Our Columnists
The Case for Banning Children from Social Media
Most people seem to agree that something should be done to protect kids from what sure looks like an addictive product. But almost no one knows what that something is.
By Jay Caspian Kang
Our Columnists
What’s the Point of Reading Writing by Humans?
Maybe one day journalism could be replaced with an immense surveillance state with a GPT-4 plug-in. Why would we want that?
By Jay Caspian Kang
Daily Comment
What We Still Don’t Know About How A.I. Is Trained
GPT-4 is a powerful, seismic technology that has the capacity both to enhance our lives and diminish them.
By Sue Halpern
Infinite Scroll
The Supreme Court Probably Won’t Break the Internet—At Least for Now
In Gonzalez v. Google and Twitter v. Taamneh, the Court considers whether the Web’s most foundational law still makes sense.
By Kyle Chayka